Threats to prosecutors and journalists, photos with L-Gante and messages from Pablo Escobar’s nephew. The story of the woman who earned her place in the clan and who swore eternal love to the “Pájaro” Cantero.
Sunday, 30 January 2022hs
Lorena Miriam Verdún, 43, is not afraid of death, but she has an eternal love for her ex, Claudio “Pájaro” Cantero, and a hatred embodied against the Police and against anyone who dares to point to his family. This was demonstrated in full imputation hearing, when threatened the prosecutor Matías Edery : “This is not going to be So.
The mother of “Lucho”, the successor in the line of command of the clan Los Monos, found herself sitting in front of a judge again this January, after her son was arrested for possession of an arsenal. She was also raided, and in her home they found bags with 1.5 million pesos, gold and a pistol with a green handle and black slide, with the inscription “Taurus”, suitable for shooting.
Lorena Verdún was arrested this January along with her son, “Lucho” Cantero. (TN)
Verdun was charged with preventive detention for illegal possession of a weapon of war. In addition, the Federal Justice revoked the release with which they had benefited her after a five-year sentence for drugs. She was kept in the Ezeiza prison.
But his story does not begin with this threat or with this new cause. On December 17, he published a video on Facebook that summed it up like this: “Nobody listens to me because I’m the wife of, the mother of, I’m Lorena Verdún.”
The family and the “Bird” above all For Lorena Verdún, what matters most is protecting her family and the “Bird”, of course. During the hearing this January, he sought to present evidence to prove the innocence of “Lucho”, who is accused of leading a gang of extortion shootings and for instigating a homicide. “I am not going to rest. I will never allow my son to be touched”, he warned.
Claudio Cantero, the former leader of “Los Monos”, was gunned down by assassins in 2013 when they were already separated, but that did not prevent Verdun from swearing eternal love to him, and he keeps it in mind to this day.
But with the “Bird” dead, the widow is at the center of the clan scene. A photo from last Christmas portrays her with the new generation of the criminal organization, with a drink in hand and surrounded by her children, other family members and the young people closest to the drug gang.
Verdún is an important figure in the neighborhood, because she contains and is fair with her allies, but at the same time, she is rude to the “enemies”. That’s how it always was. In 2017, he forced his way in and threatened journalists Germán de Los Santos and Hernán Lascano at the presentation of his book The Monkeys.
The mother of the three children of the riddled leader was the ideologue of the mural that pays homage to the “Bird”, in front of a soccer field in La Granada, the neighborhood that extends behind the Casino where Lionel Messi got married.
The cult of his ex-partner maintains him: Verdún has added several tattoos in recent years, of which at least four refer to the capo.
Another trait of his personality that generates attraction is his impudence in the face of death: “I’m not afraid. If something is going to happen to me, no one will be able to prevent it. I am not going to change my life”.
“Los Monos” and its connections with L-Gante and the Escobar
The postcards of ragpickers together with characters from the clan generated controversy in Rosario. “Los Monos” like to take photos with musicians.
One of them was L-Ghent, who posed with the founder of the clan, Máximo Ariel “El Viejo” Cantero and with Lorena Verdún herself.
And the connections of the drug gang extend across the continent. Nicolás Escobar, eldest nephew of the Colombian capo, dedicated a few words to Verdun.
“Lorena, a very special greeting. I hope you are very well. Here, the doors are always open for those beautiful people from Argentina. We are waiting for you in Medellín,” Escobar says in a video, where in the background there is a coat rack with jackets that bear Pablo’s face.
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