The Kunsthaus Zurich opened the new Chipperfield extension on Wednesday after a five-year construction period. The Bührle Collection was also something to talk about.
The extension of the Kunsthaus Zürich
Image: keystone
«He’s a Step into the 21st century, »said Kunsthaus director Christoph Becker about the extension. Thanks to him, the Kunsthaus has become more open and spacious. “We can look forward to a successful work,” stated Conrad Ulrich, interim president of the Zürcher Kunstgesellschaft.
The extension of the Kunsthaus Zürich
Image: keystone
Mayor Corine Mauch was also happy: “It turned out to be fantastic.” The building gives Zurich more charisma. In addition, it represents a further milestone for the city – next to the Tonhalle Zurich, for example – and acts as the entrance gate to the culture and education mile on Rämistrasse. However, there is still a lot of work to be done, the building must be animated and an audience must be won over the long term.
Architect David Chipperfield said he and his team were implementing the project been nervous. “Zurich is an extraordinary city, contributing to it was a challenge.”
Architect Sir David Chipperfield in the extension of the Kunsthaus Zurich: “Zurich is an extraordinary city, and it was a challenge to contribute to it.”
Image: keystone
5000 square meters in addition
Through the extension, the Zurich Art Museum is now the largest in Switzerland, as the Kunsthaus announced on Wednesday. The public area was more than doubled, an additional 5000 square meters are now available for art .
The construction costs of 206 million francs were financed equally by private individuals and the city and canton of Zurich. The Kunsthaus expects 375,000 visitors per year.
The collector Werner Merzbacher sits in the middle of his collection in the new extension of the Kunsthaus Zürich.
Image: keystone
Already discussed controversially before opening
The extension building made waves long before it opened – not because of its architecture, but because of its content: the Kunsthaus wants to show works there from the Bührle Collection that are suspected of also containing looted art.
The sign for the Bührle Collection in the new extension of the Kunsthaus Zürich
Picture: keystone
Emil Georg Through arms deals during and after the Second World War, Bührle had become the richest man in Switzerland at the time. In November 2020, a study by the University of Zurich confirmed that its arms exports – to both warring parties – and the structure of its art collection were closely intertwined.
The Kunsthaus wanted the works from the collection To convey Bührle in a historical context, as it was said on Wednesday. Questions about the origin of certain works would also be dealt with. Bührle is “undoubtedly the most difficult collection”, said Kunsthaus director Becker. The discussion with her took place in a determined and exemplary manner.
The “IG Transparency for the processing and communication of the Kunsthaus-Bührle complex”, however, doubted whether this happens with the quality they consider necessary. The director of the Kunsthaus had so far had “very uncritical dealings” with the Bührle collection, the IG announced at the end of September. (yam / sda)
Street art works that were perfectly integrated into their environment
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Street-Art – Works that were perfectly integrated into their environment
source: imgur
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